Resumé
He holds an MFA in Contemporary Theater and Performance from The New School (2023-26) in New York City with a 100% merit Scholarship and the Judith Malina Award for Artistic Distinction, and a BFA in acting from the Institut del Teatre (2002-06) in Barcelona and DAMU (2007) in Prague.
His last work a director and performer is [el] LIVING (2026) performed at the stage of The School of Drama.
He performed across Europe and Moscow with the Czech-Finnish ensemble KREPSKO directed by Linnea Happonen from 2007 to 2019, appearing in Mad Cup of Tea (2007), Dronte (2009), Bistro Beyond (2012), Edgar’s Echo (2016), and Illuminium (2018), among other Krepsko productions and cabarets. While in Europe he collaborated with Martina Cabanas Collell, Centre de Titelles de Lleida, Carlota Subirós and others.
He moved to New York in 2023 to persue an MFA at The New School. He directed and performed in the visual ensemble piece [el] LIVING (march 2026) and the documentary that followed this process. He has worked as movement director alongside Irina Kruzhilina and as an actor in Notice to Appear (2025), first shown as a work in progress at La MaMa Experimental Theatre Club, as a choreographer associate on Terror Is the Order of the Day (2025) at The Flea Theater directed by Tea Alagić and as a devising asistant on SpaceBridge (2025) directed by Irina Kruzhilina at La MaMa Experimental Theatre Club.
He has dipped his toes in film making and has directed a few experimental films two short narrative films: Behind Closed Doors (2024) and Teto (2024) and as an actor can be seen in About the Beginning (2023) a feature film directed by Amulio Espinosa and produced by PineCone.
Interview at Bold Journey January 22, 2025
directed by Linnea Happonen
I was an invited artist with the International Theater Group Krepsko for over a decade from 2007 until 2019.
International theatre group
KREPSKO
was founded in 2001 in Prague.
Starting with outrageous and brave improvisations,
KREPSKO has created their own unique theatrical language
based on enchanting atmospheres, dark fairytales
and absurd tragicomical moments.
They use aspects of circus and puppet
theatre to tell stories without words
and to reach the deepest secrets
and emotions of the audience.
KREPSKO
has created more than 20 reprising shows,
performed all around the world
and garnered numerous awards.
Mad cup of Tea (2007)
Dronte (2007)
Bistro Beyond (2012)
Edgard’s Echo (2016)
Gertrude Will Nicht Tanzen (2018)
Illuminium (2019)
These projects were performed throughout Europe and in festivals such DanceInversion in Moscow, Unidram in Potsdam, Letní Letná in Prague, and in theaters in Dresden, Chemnitz, Bielefeld, Oostrava, Luxembourg, Tartu, Tallinn, Helsinki, Turku, Lublin, Szczecin etc.